Flores Velázquez Sandra ← Terug naar overzicht


When I was a child, had a laboratory over the branches of a lime tree, that climbed to develop a serious research of caterpillars and its patterns of distribution in plum tree, saw stars in night through a hole in foliage, or tested the dynamism of swing. Today I enjoy to think that I become in adult with a profession that follows this child dynamic of playing, a researcher.I say these because I am an architect that want to explore and understand inhabit rural and urban areas through walking around, as a medium of a sensible absorption of place, like “a way of automatic writing of real space” (Careri 2003) according to Careri.I am an anthropology researcher that want to do a graphic ethnography of inhabit areas through social imaginaries, as a medium of visualization of intangible human interaction, because imaginary is a collective agreement that create a “virtual image in mind about anything” (Castoriadis 1988) according to Cornelius Castoriadis.And recently I am a visual artist (more artisanal) that want to probe the embroidery technique as a medium of expression, like a touchable draw of sensitive information, as a continue thread of knowledge which create stitch in mind surfaces.About these and according with Buckminster Fuller, the “synergy of synergy” of disciplines is an strategy to research under not common branches, I try to see the whole image, because as Nassim Taleb takes of Umberto Eco, the importance of library is the anti-library, “when we know more about something, the row of unread books is longer” (Taleb 2010), and these research project is testing the dynamism of the big spectrum of different discipline and perspectives that these can give us. I am not particular interesting in specific information, I am more interested in the different ways to see the world as its complex and fractal algorithms inside of its multiculturalism.
There is space with a clear definition as architectonic elements like a wall or a change over floor, but also there are intuitive space with intuitive meaning, therefore an abstract definition of physics space by intuition, for example the light spectrum that is projected in a room is a way to define the space without tangible elements, like the space around of food-truck or the personal space in public space.This kind of space is the exploration theme of this project, intuitive space with virtual mind and physical definition, this that have the capability to expand and contract it depends with the necessities. The dynamic of these project consists in walking around of residency place as exploration of inhabit areas, with the intention to recollect intangible substance of society, cultural imaginaries that take form in mind as a production of walking patterns, the graphication of these activity will be registered through embroidery lines and shapes over textil layers. With this walking activity start the absorption of place and the identification of places that are defined by intuition and the expansion and contraction of these places it depends of time, weather or each day of week.All of this with the objective of research ways to understand the space and the meaning that have around, the intuitive space have a meaning because we gave this, it called as anthropological resource “imaginary” and is more evident in this kind of spaces, but also we have imaginaries of the whole world. This imaginary is a way to see the space and a society that get the same geography will be similar, but what happen with people that give as different perspectives because there different capabilities, questioned if space is defined through cultural and social construction and if we as society have collective agreements. This is an exercise that tested the interdisciplinary as a medium to draw a perspective of multiculturalism through different resources, joined architecture, anthropology and artisanal expression beyond of its common application, with the desire to see and found new perspectives of these “synergy of synergy” mapping of touchable drawing to embroidery imaginaries of architecture and anthropology studies.


Sandra Flores Velázquez :: 8 / Enero / 1986 8 norte 2613 Barrio de Jesús Tlatempa :: San Pedro Cholula. Puebla. MéxicoTel: 52 222 2473416 :: Cel: +52 222 2075276 :: arq.sandrafv@gmail.com https://asresearchfv.wixsite.com/asandrafv :: @asandrafv 2004- 2009 BACH Bachelor in Architecture Universidad de las Américas Puebla. 9.22012- 2016. MA Master in Antrhopological studies of México. UDLAP 9.02008 Social service, Participation in book collection of religious architecture in chapter: San Martín Huaquechula and San Andrés Calpan, edited by FUDLAP.2007- 3th place. Price of Sketch 07, GVA . National.2007- Honorific mention. XII Congreso Internacional sobre Conservación de Centros Históricos y Patrimonio Edificado Iberoamericano, “Las normas de Quito” 2009- Selection as represent of UDLAP member in ENEA XXI .2010- 1th place. The World Bank national competition at essay cathegory with the theme: “Eco-poor comunity. Eco towns in generetion of benefit cicle in marginal zones”2013- Fellowship congress: 1MJXM (one million of young people for Mexico).2014- Fellowship congress: Paralelo 9MX, Cultural gestor and creative entrepreneurship.2015National Finalist (last 25) of Hult Price with mod.h equip and Miscelanea project.Cities are back in town, urban sociology for a globalizing urban world Ciencias Políticas Paris.Exploring Humans’ Space. École polytechnique fédérale de LausanneLivable Future Cities.Institute of Technology (ETH) in Zurich.Global Environmental Management. Technical University od Denmark (DTU) Methods and Statistics in Social Sciences. Especialization. University of Amsterdam.Management of Fashion and Luxury Companies. University Boccon Art & Activity: Interactive Strategies for Engaging with Art. Museo de Arte ModernoSexing the Canvas: Art and Gender.University of Melbourne. Biofractalstrategy is a tool for desig activity. This are constitute by tow branches, biological development and fractal geometry, these discipline generate a cicle of design that are recursive and continium for ceate Biofractal structures. Benefit cicleIs a synergy of activities with a beneficial effect in ‘Tepontla’. The phenomenon is fueled by illegal deforestation and marginalized settlements, this is caused risk in the zone and we can propose a benefit cycle. We can generate eco-architecture and friendly strategies, for the reduction of resources explotation, in consecuence less marginalization.2011 Fractal city: Research and analice of recursion in cities, following the principle that society is a fractal body, which generates massive fractal expressions.2012Collective imaginaries of habitability: unveiling of abstract images in the groups that define the patterns of habitability. Imaginaries of the territory: exploration and exhibition of abstract images of places we know.AcademiccvCourses - MOOCsAcademic researchsfvAwards and Honours
Internships ACROSA August 2007 - June 2008. Participation at PSV (Puebla green system) through public space reactivation. OJTAT May -September 2009 design of bamboo furniture.Assistant ProfessorFUDLAP: 2010, 2013, 2015 where I can gave some classes, evaluation,and develop of workshop with special emphasis on social theme. Under direction of Mtro.José Luis Jaspeado, Dr. Nicolas Lopez Tamayo y Mtro. Horacio Cinto.Architect2011-2018 :mod.h House of Architecture and Design, is a place to research, spread architect skills and design strategies, by projects, talks and essays.Founder 2016-2018 of Fundación Miscellanea MISC, is an asociation in favor of art in Mexico at various directions through mexican artist exhibition, workshops for community, reactivation of art spaces and development of art audience.2016 Colletive exhibition 9th “Adopt and Adapt”. Capilla de Arte UDLAP Foundation,with the serie “Judge me for the cover, books of personal stories”.2018 Collective exhibition “Journey Prepositions”. Local gallery at Teziutlan, Puebla. with the serie “Journey, embroidery and walk“2018 Collective invitation open studio to create three pieces under theme “Imaginaries of Mexico” Miscellaneus Foundation, with the serie “Carthographies of Cholula imaginaries”Shared with Horacio Cinto by mod.h, in Mexican Univertities. 2013-2014. Ritual Spaces talk with a workshop of 5 days. URSE. Kneading Ideas talk about logical and simple contruction to develop basic architecture. UVP. Go Back to the Basic is a refletion talk arround espectacularand daily design. UDLAP Miscelánea Creative Business Social Model: Workshop-Conference, at 6th International Business Conference “Strategic and Intercultural Connection”. UPAEP.2017 Art residency at SPAR (St Petersburg Art Residency) in St Petersburg, with the research project, “weave and embroidery urban imaginaries”2017 Workshop at SPAR, “embroidery your own St petersburg imaginary”.2017 Residency and workshop at CASA COLORIDA in Nigrán Pontevedra, Spain. “Obradoiro-imaxinarios territoriais, creando dende outras perspectivas bordados do territorio”.2018 Art residency at The Drake Arts Centre in Kokkola, Finland with the project “Mapping of touchable drawing” where develop territorial imaginaries of Kokkola.2018 Workshop for children at Nordic Art School “draw your neighborhood and embroideryyour route”2018 Talk to students at Nordic Art School “Mapping my touchable drawings”2018 Art residency at CaSA Oaxaca, under CaSA-UDLAP programa with the project “unknownlandscapes”2014Etretejidos(interwave) is a big instalation of long strips of weave plastic fibers, over a steel structure that want to show artisant work through other perspective, in diferent size and context, to reflect about artisanal work in urban context. Mod.h2013Caja errante (errant box) is a project that aims to bring young mexican artistic expression to audiences where art does not come easily, through boxes that go town to town. Mod.h2016 Coloring multiculturalism, is a project of coloring books as ethnography of towns in mexico, in special this towns that are still constructet by native people.2016Coloring illustration convocatory is a called to mexican artist to“how to made accessible art”, from these we generate an exhibition in San Pedro Cholula Mexico (2016) and St Petersburg Russia (2017) with activities around of coloring book. I work here as organizatorof convocatory, book editor and curator st. Petersburg exhibition. MISC2017-2018 Project “TRUEQUE“ that is an interchange of actions in favor of art, develop 3 art exhibition of 3 mexican artist, where I participated with museography; 4 days of activities in galery with pieces of these exhibitions as instructor; and 5 workshops for the community of Cholula at Regional Museum of Cholula and Foro San Pedro. MISCUDLAP:: Sta. Catarina Mártir. San Andrés Cholula, Puebla. C.P. 72810. México. +52 (222) 229 20 00.MOD.H:: MISC:: 6 NORTE 1412-1, San Andrés Cholula, Puebla. C.P 72810. MX +52 (222) 1780457 SPAR:: Pushkinskaya str. 10, 191040, St. Petersburg Russian Federation Tel 007 (812) 764 53 71 CASACOLORIDA:: R/ Rosalía de Castro nº16, 36350, Nigrán, Vigo. España Teléfono 644 324 389 MUSEO REGIONAL CHOL:: 14 Poniente 307, Andrés Cholula, Puebla, México Tel +52 (222)247 72 43DRAKE ARTS CENTRE / NORDIC ART SCHOOL :: Pormestarinkatu 32, 67100 Kokkola,Tel (358 )405709895ProfesionalExhibitions & invitations Talks & workshopArt residency and workshopsResearch & projectsContact information
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